The Honor of Armadillos

51UPjZamwlL._SY300_

The armadillo had wandered into the middle of the road and stopped. It was either too stupid or too scared to move, even with the truck headed straight towards it. Gilman stared at the animal. Then he stared at the telephone pole twenty-five feet off the right side of the road from where the armadillo was standing…

Armadillos becoming roadkill on the burning asphalt of desert highways. The tangled lines connecting a father’s past in the jungles of Vietnam to his son’s future in the desert sands of the Middle East. The colliding forces of patriotism and self-preservation, duty and decency, honor and honesty. A young soldier with a decision to make—or not.

All of these things swirling in the dust storms of a scorching Texas summer in the aftermath of the 2003 invasion of Iraq helped create my short story “The Honor of Armadillos,” available now in the summer 2015 issue of VoiceCatcher along with poems, artwork, and prose from some of the Pacific Northwest’s most original and exciting writers and artists.

Detail from "World Quilt, Panel 1," by artist Beth Yazhari, featured along with more work in the Summer 2015 issue of VoiceCatcher

Detail from “World Quilt, Panel 1,” by artist Beth Yazhari, featured along with more work in the Summer 2015 issue of VoiceCatcher

Click here to go directly to my short story, “The Honor of Armadillos,” from which you can also access the rest of the issue  for free along with past issues and an engaging community site; or click here to go directly to the first page of the Summer 2015 issue, with an introduction by managing editor Tiah Lindner Raphael.

VCJournalHeaderArt

The Tower of Together

flooded-city-31547-1920x1200Water is epic.

Born in water, made of water, dependent upon it yet unable to live freely in it, drawn toward it, mesmerized, yet wary, even terrified, powerlessness in power.

Water is primal, essential…epic.

In its own way, so is adolescence, that tsunami stage of life where one is pulled out to sea, pulled under, tossed by the waves, only to emerge on the shores, battered yet full of life and energy, reborn of water into a newly washed world.

when women were birds

About one year ago, water filled my mind. I had been reading Terry Tempest Williams’ remarkable book When Women Were Birds: Fifty-Four Variations On Voice, a lyrical tour de force through myth and legend, personal reflection and global history, poetry and song and so much more. I also saw Robert Redford’s equally remarkable performance in director J. C. Chandor’s film All Is Lost, a mesmerizing tale about a man lost in a seemingly unforgiving sea a seemingly uncaring world.

MV5BMjI0MzIyMjU1N15BMl5BanBnXkFtZTgwOTk1MjQxMDE@._V1_SX214_AL_

misc-underwater_00214965All of this water and air and hope and hopelessness seemed a perfect setting for a young girl, trapped in a “Tower” both real and symbolic, who must make her way through an underwater world to eventually emerge into the light. And so my first Young Adult novel, The Tower of Together, was born. Many thanks to my publisher, Michael Randolph at Eldritch Press, and to my editor, Sydney Leigh, for helping me to get the manuscript in top-notch shape. Also many thanks to Mikio Murakami of Silent Q Design for working with me to produce such a stunning cover.

Click here to purchase The Tower of Together in print or ebook format!

11295827_881303621941061_2018005442054162578_nWhen a series of environmental disasters leave a small coastal town completely underwater, fourteen-year-old Greenleigh ends up stranded with a group of teenagers in a building known only as the Tower. Cut off from civilization, they must learn how to survive in a world without any of the conveniences they once took for granted. When a power struggle develops between Leo, a charismatic but potentially dangerous outcast, and Greenleigh’s older brother Ilkka, the group’s reluctant leader, everyone must choose their alliances carefully.

Prickly but fragile, independent yet insecure, Greenleigh is caught between her loyalty to her brother and her growing attraction toward Leo. When the group decides to leave the Tower on a dangerous journey to the only house left in town, the mysterious Lloyd mansion on top of the High Grounds, they must face not only the aftermath of the flood, but fellow survivors who prove even more dangerous than the disaster itself. With the group’s immediate survival and hope for rescue at stake, Greenleigh must make choices that will determine not only whether or not she survives, but what kind of person she will be if she does.

Click here to read the first chapter of Tower of Together

The Son Who Shattered His Father’s Dream

Scully1“Maybe I dreamed too much,” was all that Mohanlal could say.

“No, dad. Maybe you just dreamed the wrong dream,” was all that his son could reply.

Parents always want the best for their children. But what if “the best” ends up being the absolute worst thing any parent could imagine?

My short story “The Son Who Shattered His Father’s Dream” was inspired by an article in The New Yorker magazine titled “The Empire of Edge,” by Patrick Radden Keefe. It chronicled the rise and fall of a young trader who got caught participating in a huge financial scandal, and focused especially on the trader’s childhood–both the unconditional support and the crushing expectations of the man’s formative years. In fact, I took the title of my story and the anecdote behind it directly from an actual incident in this family’s life. The story was fascinating and, even though the trader certainly did have his fall coming, it was heart-breaking, too, particularly for his family. It got me thinking about the tricky territory parents navigate between pushing their children and perhaps pushing them too hard and way too far–sometimes even straight off of a cliff. So I took all of this and turned it into my own more dark, much more sinister tale.

Read it here along with stories from Nathaniel Lee; J. Sheridan Le Fanu; Rob Smales; JG Faherty; Frank R. Stockton; David G. Robertson; Saki; Jonathan Maberry; A.M. Burrage; Nancy Hayden; Holly Newstein; Patrick Lacey; J.D. Beresford; Joe Powers; K. Trap Jones; D.H. Lawrence; Gregory L. Norris; Aaron Gudmunson; Sir Arthur Conan Doyle; Lawrence Buentello; Mary Shelley; Bo Balder; Roxanne Dent; Joe Sherry; H.P. Lovecraft; Kurt Fawver; and with an introductory poem by Tanya Jarvik and an introduction by Daniel Knauf.

Passions become obsessions. Obsessions become manias. And sometimes, manias turn into nightmares. What happens when one wants so badly that all else, including sanity and self, isEnterAtYourOwnRisk_Dreamscapes consumed by the bonfires of desire? What happens when one achieves the dream, only to discover the nightmares lurking behind the illusions? Firbolg Publishing’s fifth anthology, Enter at Your Own Risk: Dreamscapes into Darkness, explores the old adage of “Be Careful What You Wish For.” Journey down wishful thinking’s twisted pathways and discover what dark ends and detours await-with an introduction from Daniel Knauf, and featuring stories from D.H. Lawrence, Mary Shelley, A.M. Burrage, H.P. Lovecraft, and more Gothic masters from yesteryear and today… enter at your own risk, and be careful not to make a wish!

Click here to purchase Dreamscapes Into Darkness in paperback or ebook format

OR click here to purchase a special book package AND pick your price to help out the charity of your choice!

The Eye That Blinds

coverFive years ago, I was a social media virgin. I’d fooled around with message boards and had a brief, unconsummated fling with MySpace for a few months, but for the most part, my already full-blown love/hate relationship with the Internet was limited to binge-surfing true crime sites and late-night impulse shopping. And then my first novel came out.

I quickly learned that savvy authors today are not just authors but marketers, too, and that meant Facebook, blogs, Twitter, and the seemingly never-ending slew of sites that trail in their wake. I dove right into the churning social media waters, and also quickly learned that in addition to the more benign and even helpful forms of virtual sea life, those waters are filled with sharks in “Anonymous” clothing, schools of conniving barracudas and clownfish, and what is perhaps the Internet’s most relentless and elusive predator of all: the Catfish.

Catfish: someone who pretends to be someone they’re not using Facebook or other social media to create false identities (Urban Dictionary)

I learned that it’s a weird, wild place to live these days, the Internet with its shadowy real/not-real denizens. And so I mixed all of the craziness up into a dark, deadly cocktail and called it The Eye That Blinds:

The Internet— it’s everywhere and nowhere, full of everybody and nobody. And sometimes, it’s downright deadly. When three college friends graduate with plans to conquer the world, they find out that the world has its own plans to conquer them. As their supposed “real” lives spiral farther out of control, they retreat into the one place where they still reign—the online kingdom of fantasy and masquerade. After a seemingly random accident puts a pair of old-school detectives on their trail, the trio’s tangled web of lies and deception threatens to unravel into consequences more real than any of them could have imagined.

My novella The Eye That Blinds is available from Darkfuse Publishing and can be purchased from Darkfuse or from Amazon, but be warned–you may never think the same way about that nice lady from your message board group again.

Reader Responses to The Eye That Blinds:

  • “Three more psychologically flawed characters you’re unlikely to meet again and it’s intriguing to see this love triangle play out, amidst the madness, murder and delusions.”
  •  “If you’re a bit of a stalker then there’s plenty of tips here on how to take it to the next level, although that’s not an endorsement you should take to heart.” (That one always cracks me up!)
  • “In today’s world where everything is available online for anyone to see, this novella had me guessing almost to the very end.”
  • “A seemingly straightforward story that you think you’ll have figured out. But, this twisted story was was anything but straightforward. It’s best to go into this story blind – pun intended.” (Also love a reviewer who works a PUN into things!)

 

Supernatural Swine and George, the Haunted Grasshopper

1grasshopper002My father and I both had an interest in—some might even call it an obsession with—death and the great mystery of what comes next. We spent many an hour theorizing and speculating about the possibilities, and we promised each other that whoever went first would send some sign from “behind the veil,” just to give a bit of a “heads up” to those yet to make the journey. When dad died, unexpectedly and far too early, I didn’t think about that promise in the grief and chaos of death’s aftermath. But dad never was one to go back on his word, and soon enough, he found a way not only to give me that “heads up” from the other side, but to play one last prank while he was at it.

Find out how dad pulled it off in my short story “The Hand Game,” included in The Book of the Dead, the latest release from Firbolg Publishing’s ebook series. The collection of true-life ghost stories features historical photos, first-person accounts, and newspaper articles about the strange and supernatural, along with original tales from authors past and present, including Rebecca Walsh; John Mead; Morgan Griffith; Pliny, the Younger; Victoria Pinder; Trishia Peskanov; Jarrod Brown; Joseph Glanvil; Carmen Parsells; Jenean McBrearty; Ted Lonegran; Kevin Wetmore; Jane Marshall; and MORE!

The House of the Past by Clarence John Laughlin; 1947

The House of the Past by Clarence John Laughlin; 1947

Turn the pages of The Book of the Dead to discover a disturbing picture with an even more disturbing secret to tell; an apartment with a dark past and a mysterious, once-a-year visitor; haunted houses, possessed ruins, and unwelcome things that creep into your bed at night; a very sad woman and the far side of the moon; pens that write macabre tales of—and on!–flesh and blood; messages and warnings from the dead (sometimes from the dead themselves); an icy hand on the shoulder and the smell of cigar smoke when no one is smoking a cigar; and curiously determined members of the animal kingdom, including a supernatural swine and George, the haunted grasshopper.

 

FirbolgBookofDead  A shimmer at the end of a corridor. Lights in a graveyard long after the witching hour. Is that the wind, or something calling out to the living from secret, unseen places? The mysteries of the supernatural have captivated the human imagination for centuries. Tales of specters, hauntings, and unexplained phenomena can be found in every culture across the globe. In addition to modern true tales of terror, The Book of the Dead features true life hauntings from the actual pages of history. Truth can indeed be stranger—and far more terrifying!—than fiction.

Click here to purchase The Book of the Dead!

Bugs R’ Us: Spitting Grasshoppers, Human Beetles, and the Insect Revolution

0e0f1-the_metamorphosis_by_jezabel7Entomophobia (also known as insectophobia):  a specific phobia  of one or more classes of insect.

One of the hazards of growing up in rural Pennsylvania was the grasshoppers. Huge and green, and in full possession of that potent insect combination of equal parts relentless energy and mindless dedication to all things survival, these chirping, leaping, leaf-eating machines terrorized our summer afternoons.

They would sit there and stare at you, these bugs, and I could never figure out whether they were simply trying to figure us out or–the far more likely scenario–they were planning ways to eat us and take over the earth. When I learned that the grasshoppers could not only happily deliver painful bites with their huge, leaf-chomping jaws but also spit on people, that decided it: they were definitely here to take over the earth. Add in a story about how some prankster had once put a biting, spitting grasshopper into the  mouth of a sleeping person, and I was fully convinced the insect-led revolution was fully under way.

In fact, it has been underway since 1915.

Jamie Keenan’s design for a new edition of Franz Kafka’s “The Metamorphosis” (W. W. Norton & Company)

Jamie Keenan’s design for a new edition of Franz Kafka’s “The Metamorphosis” (W. W. Norton & Company)

That’s when The Metamorphosis, Franz Kafka’s bizarre tale about Gregor Samsa, a man who wakes up one day to find himself transformed into a huge, beetle-like creature, first shocked the world with its surreal collision of insect and human. The cause of Samsa’s transformation is never revealed, and Kafka himself never gave an explanation. Is the transformation symbolic? Metaphoric? Magical realism with a pinch of satire thrown in on the side?

Perhaps all of those things, as attested by the story’s secure place as one of the 20th century’s seminal works of fiction, studied in colleges and universities across the world.

But Mr. Kafka never had me fooled.

I knew from those ominous Pennsylvania grasshoppers that the story was actually a warning: a glimpse of the future to come, when we either join with our planet’s most resilient inhabitants–the kind with compound eyes, sectional bodies, and chitinous exoskeletons—or perish.

“The First Science Officer bent to inspect the glass container. The brown bodies were scuttling back and forth, bumping into each other and the walls in a mad search for an exit that did not exist. He felt almost sorry for the poor creatures, and sorrier yet for putting them in their current predicament. But of course, his pity was misplaced. A human being could only last for mere seconds without a head, whereas these decapitated cockroaches had been going strong for almost two weeks…”

Find out whether or not a pair of science officers will finally succeed in assimilating humans with Earth’s new masters after a series of, shall we say,  most unfortunate false-starts and failures in my short story “Metamorphosis, Not Metaphors.” The tale is included in Great Old Ones Publishing‘s latest anthology, Bugs: Tales that Slither, Creep, and Crawl:

“Thirty-four of today’s top voices of terror take on the undulating hoards of a life form that knows no mercy, only the primitive urges to kill, destroy, and feed. They skitter through remote swamps and pine barrens; slither up from the earth and creep through human civilization, determined to conquer our world and others; crawl under and across our flesh, hungry, so very hungry…”

Edited by Gregory Norris, with a foreword by Simon Rumley, cover art by M.J. Preston, and stories and/or poems from thirty-four of today’s top voices of terror.

1381222_342704205914462_5381908796101507760_n

  Click here to purchase Bugs: Tales That Slither, Creep, and Crawl in paperback!

Click here to purchase the Kindle/e-book!

Click here to check out more great titles from Great Old Ones Publishing!

The Philosopher’s Way

Rumpelstiltskin Illustration by Edward Gorey

Rumpelstiltskin Illustration by Edward Gorey

“One evening a tap-tap-tapping and the faint smell of wintergreen candy drifted into the study from the hallway. When the unmistakable cat’s head cane and black bowler hat appeared in the doorway, Stephen didn’t bother to ask how Stilts had gotten into the locked house. He didn’t bother to wonder why, despite the decades that had turned Stephen into a wrinkled, gray old man, Stilts looked exactly the same. Stephen had known even in that long-ago library that this was no ordinary man. And he hadn’t reappeared now for any ordinary purpose.”

Teacher, master, treacherous madman… after a young scholar sacrifices everything for knowledge, he becomes a charismatic teacher whose students are willing to sacrifice everything for him. And yet as the teacher’s own strange, long-ago mentor once warned, those who wander too far along the philosopher’s way may find themselves going straight over a cliff…

My short story “The Philosopher’s Way,” which appears in the new anthology Hauntings from the publisher Hic Dragones, was inspired by both classic fairy tales and an article in the New Yorker magazine about a real life scholar and teacher in New York City who used his brilliance and enigmatic personality to weave his students into a web of seduction, betrayal, and control. After finishing the article, I imagined the story recast among the supernatural settings and uncanny occurrences found in classic Brothers Grimm fairy tales such as Rumpelstiltskin–what if, as our scholar weaves a treacherous web for his students, an even more brilliant, more seductive master is weaving a web for him–or perhaps the scholar will end up caught in his own web, a fly for some bigger spider?

“The real-deal question is: are you willing to sacrifice everything—everything!—for knowledge?”

 

hauntings

A memory, a spectre, a feeling of regret, a sense of déjà vu, ghosts, machines, something you can’t quite put your finger on, a dark double, the long shadow of illness, your past, a nation’s past, your doppelgänger, a place, a song, a half-remembered rhyme, guilt, trauma, doubt, a shape at the corner of your eye, the future, the dead, the undead, the living, a grey cat, a black dog, a ticking clock, someone you used to know, someone you used to be.

We are all haunted.

Twenty-one new tales of the uncanny, by:

Rachel Halsall, Brandy Schillace, Allen Ashley, Hannah Kate, Audrey Williams, James Everington, David Webb, Sarah Peploe, Michael Hitchins, Patrick Lacey, Tracy Fahey, Rue Karney, Keris McDonald, Guy Burtenshaw, B.E. Scully, Mark Forshaw, Stewart Pringle, Daisy Black, Mere Joyce, Jeanette Greaves, and Elisabeth Brander.

Click HERE to purchase Hauntings: An Anthology in Kindle/e-book form!

Click HERE to purchase Hauntings: An Anthology in paperback!

Click HERE to purchase Hauntings: An Anthology directly from the publisher

as well as to check out the many other fantastic titles available from Hic Dragones!

 

Nothing but Skin and Bones

Today started off the same as any other, with the taste of burned ash in my mouth. I got the woodstove going and cooked up a pot of cornmeal that tasted almost as foul as the air. But as Uncle Clovis used to say, don’t ever get too good for the things that keep you alive. I’ve been following that advice for years now, ever since the last of us left Rogue’s Valley. It’s been just me and Diggs since then—or just me and Diggs and the bones, that is. That old hound dog sure has the perfect name, and today he proved it. Today old Diggs finally turned up Mama Jarred’s head…

Right in the middle of the lush, blue-green mountains of West Virginia, you’ll suddenly come across flattened, barren stretches of landthe dead moon-surface remains of mountaintop removal.

It sometimes happens with mountaintop removal that old family cemeteries get wiped off the mountain along with everything else. But what happens to those displaced bones in earth that deep and dark? And when the mountains start coming back to life, what else might come back to life along with them?

Find out in my short story “Nothing but Skin and Bones,” available now in Firbolg Publishing’s latest anthology Enter at Your Own Risk: The End is the Beginning along with stories by Norman Partridge; Die Booth; Joshua Skye; Nathaniel Hawthorne; Gene O’Neill; John Grover; Edgar Allan Poe; Blaze McRob; H.P. Lovecraft; Gary Braunbeck; Rose Blackthorn; Gertrude Atherton; Julianne Snow; Lawrence Santoro; H.F. Arnold; Michael Meeske; Mark Patrick Lynch; Gregory L. Norris; Tais Teng; Sydney Leigh; Kenneth W. Cain; M.R. James; Eric J. Guignard; T. Fox Dunham; Mary Shelley; K. Trap Jones; and Kevin Wetmore.

home sweet home2

Artwork by Malcolm McClinton

endisbeginningHuman beings—the undisputed top of the food chain, the long-standing masters of planet earth. Or are we? What may be crawling out of the sludge to take our place? What monsters have we created in our labs, factories, and our very own genetic code? In the fourth installment of Firbolg Publishing’s Enter at Your Own Risk series, which pairs Gothic masters such as Edgar Allan Poe, Mary Shelley, and H.P. Lovecraft with modern authors of the dark and macabre, the theme is environmental horror. As mankind’s tsunami wave of progress, industrialization, and technology reaches spectacular new heights, sinister things are churning beneath the surface. An unfamiliar stench on the wind. Waters a bit too murky. Soil a bit too red with blood. Progress at a price. A terrible, terrible price. Will we survive? What strange new worlds will emerge from the chaos? With an introduction from Holly Newstein, Enter at Your Own Risk: The End is the Beginning explores both the horror of the end and the hope of new beginnings for our planet and ourselves.

Click here to purchase Enter at Your Own Risk: The End is the Beginning in e-book format

Click here to purchase the paperback

Read more about the inspiration behind the tales in Firbolg Publishing’s series of interviews with Enter at Your Own Risk: The End is the Beginning authors:

Part I: Gene O’Neill, Gregory Norris, and Michael Meeske

Part II: B.E. Scully and Lawrence Santoro

Part III: Kenneth W. Cain and Mark Patrick Lynch

Part IV: Eric Guignard and Die Booth

Part V: Rose Blackthorn; Sydney Leigh; K. Trap Jones; and John Grover

World Horror Convention 2014

This year’s World Horror Convention was held in my own (almost) backyard in Portland, Oregon. I met so many fantastic people and had so many great experiences that including all of them would require a seven-part blog post, but here’s a little sampler. Already looking forward to next year’s convention in Atlanta!

Scully_PartridgeWith Norman Partridge, whose prolific career includes horror, suspense, and the fantastic—“sometimes all in one story,” according to his friend Joe Lansdale. His compact, thrill-a-minute style has been praised by Stephen King and Peter Straub, and his fiction has received three Bram Stokers and two IHG awards.

 

Firbolg_Table              Alex Scully at Firbolg Publishing’s table in the Dealer’s Room.

ChrisRice_BEScully

 

 

With Christopher Rice, New York Times bestselling author whose latest novel is The Heavens Rise.

Cushing_Jonez_Scully

 

 

 

 

With Nicole Cushing, author of the novella Children of No One and the recently released novella I Am the New God; and Kate Jonez, author of the novel Candy House and Ceremony of Flies, forthcoming from Dark Fuse in July 2014. I look forward to joining Cushing, Jonez, and so many other great authors at Dark Fuse with my novella The Eye That Blinds, scheduled for release in March, 2015.

Reading2Author reading for Firbolg Publishing‘s latest anthology, Enter at Your Own Risk: The End is the Beginning. With editor Alex Scully; author Eric J. Guignard; artist Malcolm McClinton, who illustrated the special hardcover edition of the anthology; author Norman Partridge; me; author Rose Blackthorn; and author Sydney Leigh

Scully_Reading2

 

At the panel “How To Suck The Best: Writing Vampire Fiction,” with editor and author Nancy Kilpatrick and short story writer and poet James Dorr.

 

Nolan_Scully

 

 

With legendary author William Nolan (and his Stoker award), who has written hundreds of stories in the science fiction, fantasy and horror genres.

 

 

BEScully_JKelley

 

With Jon Michael Kelley, author of numerous short stories and the dark thriller novel Seraphim.

 

Scully_ketchWith the man Stephen King called “the scariest guy in America”–Jack Ketchum, author of numerous short stories and over twenty novels and novellas, the latest of which are The Woman and I’m Not Sam.

Vampires Are Us

Max Schreck on movie set of Nosferatu, 1922

Max Schreck on movie set of Nosferatu, 1922

“Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.” –Margot Adler

Author and NPR correspondent Margot Adler has a new book out, Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side, in which she explores our long-enduring fascination with the vampire myth. Adler became drawn to vampires as she sat vigil at her dying husband’s bedside, and her book is an exploration of what scholar J. Gordon Melton describes as “the ever-morphing vampire, powerful and at the same time significantly flawed, [which] invites us to reflect on our own life as we seek control, community, and some sense of self-worth.”

Over four years, Adler read over 270 vampire novels, which she then divides into themed chapters with brief reviews of a representational selection of the novels she read. I was thrilled to learn that my 2011 Gothic vampire thriller Verland: The Transformation was among them. In a section titled “Novels in the Classic Tradition,” Adler gives a short review of my book along with vampire novels by Fred Saberhagen, Tim Powers, Elizabeth Kostova, Carlos Fuentes, and Lucius Shepard.

51U76VNQQvLIn her review, Adler calls Verland “compelling” and “deeper than it first appear,” and hits upon what was my most fundamental goal in writing the book: “What starts out as a simple true crime investigation ends up asking large questions about the value of human life.”

Indeed, I think the vampire myth continue to endure in part because of what these Other Selves tell us about ourselves. It’s fascinating to go through the categories in Adler’s book and see how, from humorous novels to young adult, from supernatural fantasy to adult/erotic, something powerfully essential about the vampire myth remains even as it undergoes countless, continuous transformations. As with any review, Adler’s choices are subjective, particularly as her journey through vampire literature was inspired by, and is thherefore meant to be, a highly personal response to her husband’s death. In addition, Adler’s interest in and involvement with Wicca and Paganism is evident in a predilection toward certain themes and plots, such as those in which witches join the supernatural list of characters. Her choices and opinions will, of course, inspire debate (Anne Rice’s The Vampire Lestat on “The Best” list instead of Interview with the Vampire? Be still my not-beating undead heart!). But debate and discussion is a part of what makes the vampire legacy so rich and vital. With Vampires Are Us, Adler has contributed both a moving personal exploration to that legacy, and a truly impressive bibliography of vampire literature that will be an invaluable resource for vamp lovers of all preferences.

Verlandcover

 

I’m very proud that Verland is included.